Recent Publications
The Oxford Handbook of Black Horror Film
Oxford University Press September, 2024
Agency in Everyday Digital Practice
Duke University Press February, 2024
Media from Civil Rights to Unite the Right
University of Virginia Press May, 2023
Black Horror Cinema from Fodder to Oscar
Sime & Schuster/Saga Press February, 2023
How China is Winning the Battle for Digital Sovereignty
Oxford University Press November, 2022
How Technologies Mediate Crisis and Normalize Inequality
April, 2022
Inequity and the Digital Mundane in Favelas of Brazil
MIT Press March, 2022
How US Audiences Create Meaning across Platforms
SUNY Press February, 2021
Queries Into Postfeminist Television
Lambert Academic Publishing January, 2019
How Facebook Disconnects Us and Undermines Democracy
Oxford University Press June, 2018
Media and Transgender Belonging in Everyday Life
NYU Press March, 2018
Returning to Audiences and Everyday Life
Routledge February, 2018
Returning to Audiences and Everyday Life
Routledge February, 2018
Oxford University Press March, 2017
Media, Disability, and the Politics of Participation
NYU Press September, 2016
Rock and Roll and the Racial Imagination
Harvard University Press August, 2016
Brown Voice and Racial Performance in American Television and Film
Univ of Illinois Press February, 2013
Television and the Civil Rights Movement
University of Illinois Press February, 2012
Media Regimes, Democracy, and the New Information Environment
Cambridge Univesrity Press October, 2011
And Why We Should Worry
University of California Press March, 2011
How the Clash Between Freedom and Control Is Hacking the Real World and Crashing the System
Basic Books May, 2005
The Rise of Intellectual Property and How it Threatens Creativity
NYU Press August, 2001
Sixties Television and the Youth Rebellion
Duke University Press February, 2001
Television And Authority In The Lives Of Women
University of Chicago Press April, 1999
The Contested Languages of Social Regulation
Yale University Press September, 1995
Gender, Class, and Generation in the American Television Experience